Phone Box Library #69 Wix, Essex

Via the Harwich and Manningtree Standard we learn that the sixty ninth phone box library has recently started in the Essex village of Wix.

The village has a population of around 800 and can be found in the Tendring district of Essex. It lies in a small valley about three km south of the Stour Estuary.

It appears that parish councillor Sue Lusher has been the main driving force behind the phone box library, although Postmaster Efty Anwar was responsible for painting the box.

There are five shelves, so maybe 100 books. It remains to be seen whether Dan Brown's Da Vinci Code is in attendance, but there is a large Reader's Digest World Atlas and an awesome book about Ancient Egypt.

Rather courageously, the parish council have resolved that the phone box is to be kept locked and for access you need to request the key from the post office which is open from 09:00 to 17:30 on weekdays, 9:00 to 12:30 on Saturdays and closed on Sundays.

I think this is the first instance of a phone box library that is locked.

The nearest public library is in Manningtree, about 5 miles away, however the village is also served by a mobile library for half an hour every fortnight

Thick Creamy Podcast 20-04-2012

I've been somewhat incapacitated with a really snotty cold for the past couple of weeks, phlegm everywhere, and rather sadly missed a whole load of awesome gigs last weekend, I think I missed the Cosines, Hong Kong in the 60s, Knickers, Allo Darlin and many more. However, I'm feeling a lot better now, and last night made it to The Wilmington Arms for Which Way Is Up.

There were three bands, Manflu, who were spunky, Omi Palone who were okay and Dignan Porch who were awesome.

I almost went for the whole gig without talking to anyone, but then some couple standing at the back wanted to go outside for a cigarette and needed me to look after their bags for them.

Anyhoo, here's a podcast featuring my recordings of the show, interspersed with me being a sassy John Peel style DJ and basically making up lies.



Feel free to download it, and put it on your iPod and listen to it, then forget about it until you have your iPod on random in fives years time and get rather mortified by my dulcet tones.

Phone Box Library #68 Bodsham, Kent

Via KentOnline we learn of a new phone box library, the 68th.

Bodsham is a tiny village near Wye in Kent, wikipedia has it that there'a population of around 300 people, but that's including the village of Elmsted and by the looks of google maps Bodsham is little more than a kink in a country road with two farms, a pub and primary school.

As well as five shelves of books and magazine, the phone box also has CDs and DVDs and sells jars of green tomato and apple chutney in aid of the Vanessa Grant Trust whichhelps support handicapped children in Kenya.

The nearest public library appears to be Wye Library about five miles away. 

Thick Creamy Podcast 30-03-2012

I was at the Librarians Wanted / Big Pink Cake show last night at the Betsy Trotwood and saw Horowitz, The Fireworks and The Blanche Hudson Weekend.

I hardly spoke to anyone. I was in one of those weird introspective moods I get, its either crippling shyness or just plain rude. Sometimes its hard to tell.

It guess its a self-perpetuating thing really, but its been a character trait pretty consistently since I was a young boy.

For my seventh birthday party, I hid in my bedroom feining stomach ache rather than play with my friends who had all come round bearing gifts.

And yes, such behaviour has cost me dearly over the years, but I've still turned out okay. And sure if I try really hard I can wear a mask of gregariousness and party hard, and sometimes I even feel comfortable doing that, but given the choice, I often just lurk at the back of the room, trying to avoid eye contact, with a slightly pained look on my face.

I had this awesome idea, I need to record an album, a definitive album, like Bill Drummond's The Man, but me. I'd hire some half decent session musicians, call in favours, pull strings and get it released, and it would be okay.

I've even written a few songs, carefully scultped and crafted, lowest common denominator sort of things, carefully measured and calculated fuzz and distortion. Sleaze, schmindie, rock and jazz finely blended.

There was this song which starts out in Plato's cave, then moves to a hillside and finally a mountaintop, standing with fist in the air. I'd get the guy Horowitz to sing the chorus "Why, why, why, oh god, why!"

Here's the podcast that I've made of the gig

Feel free to download it, share it, tweet it and all the rest.
Aw man, I think I got the name of the Horowitz song wrong and completely missed the definitive article from Fireworks. Ah well, win some, lose some.

Fun with the Income tax threshold

Someone changed the office radio from Smooth FM to LBC today, and within second the office was seething with opinions about who's fault everything was:- parents, the police, ethnic concentrations in deprived areas, politicians.

Someone made a remark about how the Tories hate poor people, I'd just read Mark Pack's blogpost about how many Labour MPs voted against lowering the 50% tax rate, which had me thinking about how the Tories have massively helped poor people with last week's budget raising the income tax allowance, taking 2 million people out of income tax.

And that got me thinking about the income tax threshold generally, I believe in raising it to above the minimum wage is a great idea, taking all of the low paid out of tax, out of the employer's HR department even having to bother with the paperwork of taxing them, letting the low paid keep more of their hard earned money.

This blog says:-

We think raising the Income Tax allowance is the purest form of helping the poor.

So I took a look on the office of national statistics website for historical income tax thresholds, and then adjusted them for inflation and figured out which color of government were in power

Should it be adjusted for inflation, or adjusted by average earnings? Or some kind of mysterious cost of living index that takes into account the cost of living, other taxes, houses and so on? I dunno, I've adjusted for inflation cos it was easy to do with online tools.

The general idea is that if the government keeps the threshold level the same from one year to the next, because of inflation, it essentially means the threshold is lowered. Raising by the rate of inflation gives the patches of horizontal lines in my graph. The declining dots are when the government has kept the threshold at the previous years level and inflation has taken a bite.

This is my raw data:-

Year	Threshold	Inflation adjusted	Government
1953	£110	£2,491.00	Con
1954	£110	£2,416.00	Con
1955	£110	£2,373.00	Con
1956	£120	£2,478.00	Con
1957	£120	£2,362.00	Con
1958	£140	£2,658.00	Con
1959	£140	£2,581.00	Con
1960	£140	£2,566.00	Con
1961	£140	£2,541.00	Con
1962	£140	£2,457.00	Con
1963	£140	£2,356.00	Con
1964	£140	£2,310.00	Lab
1965	£200	£3,194.00	Lab
1966	£220	£3,048.00	Lab
1967	£220	£2,934.00	Lab
1968	£220	£2,862.00	Lab
1969	£255	£3,485.00	Lab
1970	£325	£4,215.00	Con
1971	£325	£3,961.00	Con
1972	£460	£5,124.00	Con
1973	£595	£6,188.00	Con
1974	£625	£5,950.00	Lab
1975	£675	£5,541.00	Lab
1976	£735	£4,858.00	Lab
1977	£945	£5,358.00	Lab
1978	£985	£4,826.00	Lab
1979	£1,165	£5,265.00	Con
1980	£1,375	£5,486.00	Con
1981	£1,375	£4,647.00	Con
1982	£1,565	£4,726.00	Con
1983	£1,785	£4,962.00	Con
1984	£2,005	£5,333.00	Con
1985	£2,205	£5,578.00	Con
1986	£2,335	£5,557.00	Con
1987	£2,425	£5,577.00	Con
1988	£2,605	£5,757.00	Con
1989	£2,785	£5,876.00	Con
1990	£3,005	£5,889.00	Con
1991	£3,295	£5,898.00	Con
1992	£3,445	£5,822.00	Con
1993	£3,445	£5,615.00	Con
1994	£3,445	£5,512.00	Con
1995	£3,525	£5,499.00	Con
1996	£3,765	£5,685.00	Con
1997	£4,045	£5,946.00	Lab
1998	£4,195	£5,998.00	Lab
1999	£4,335	£5,982.00	Lab
2000	£4,385	£5,963.00	Lab
2001	£4,535	£5,986.00	Lab
2002	£4,615	£5,999.00	Lab
2003	£4,615	£5,907.00	Lab
2004	£4,745	£5,883.00	Lab
2005	£4,895	£5,874.00	Lab
2006	£5,035	£5,890.00	Lab
2007	£5,225	£5,904.00	Lab
2008	£6,035	£6,517.00	Lab
2009	£6,475	£6,734.00	Lab
2010	£6,475	£6,798.00	ConLib
2011	£7,475	£7,848.00	ConLib
2012	£8,105	£8,105.00	ConLib
2013	£9,205	£8,560.00	ConLib

From looking at the graph and the numbers, it seems like the main step changes in the threshold level (from £2,400 to £5,900 and then to £8,000 in today's money) have occurred during Conservative governments. In fact, going by the past fifty years, where Conservatives and Labout have each had approximately 25 years in power, we can get these average increases in the threshold.
 

	Conservative and Libdems	Labour
Average	£207.23	£34.00
Median	£149.50	-£12.50
Sum	£5,388.00	£816.00

As a disclaimer, I'm not a Conservative voter myself, I just really like the idea of raising the income tax threshold to stop the government taking people's hard earned cash, and that seems to happen most during Conservative administrations.

Lowering wages of fuel tanker drivers

I understand from the BBC that fuel tanker drivers have voted to go on strike in a row over pay and conditions. As a contingency to prevent disription, the army are being trained up to carry out fuel deliveries.

Elsewhere, according to Wikipedia, the British army is set to downsize itself by about 15,000 folk by 2015.

Back to fuel tanker drivers striking:-

One of the companies involved, Hoyer, said its safety standards were very high.
A Hoyer spokesman said: "Hoyer has one of the highest health, safety and training standards in the petroleum distribution sector."
The firm said that pay and conditions for Hoyer drivers were among "the best in the industry", adding that the company's drivers earned on average £45,000 a year.

On the armed forces website, according to the payscales page, it takes someone of Warrant officer or Captain rank to earn £45,000. Privates earn between £14,000 to £25,000.

So as a result of the fuel drivers striking, the army providing contingency and downsizing, there's going to be a lot of freshly trained and experienced previously low paid potential fuel tanker driver.

Is this whole thing just a little going away present for the squadies?

Thick Creamy Podcast 22-03-2012

According to my FourSquare checking last Thursday was my first visit to The Buffalo Bar in over a year, crikey, how times have changed. There was once a time when Songkick reckoned that I was The Buffalo Bar's most frequent visitor, but now they've taken away that sort of functionality from the site.

Anyhoo, I toddled along for a How Does It Feel to Be Loved night, it was only a fiver to get in and for four bands, that's awesome value for money.

First up were The Empty Set. They were pretty quiet, had violins, and were nice and relaxing, almost soothing me into the evening.

Second up were Big Wave from Torquay. I've never been sure where Torquay is, or even if its a real place, its possibly near Mu and R'lyeh, although I remember Torquay had a pretty good team on Football Manager on the CPC, so it must be real. They were a lively band, guitars, keyboards, girl-dominated, a little like Elastica I guess. I hope they play London again soon.

The third band were Knickers, featuring Dan and Jonny from Pocketbooks and some other folk, they were a decent stomping band with gallic sixties chanteuse sort of vibe. They had a couple of stand out tunes, Candy, My Baby's just a Baby and Wowie Zowie, but the sound mixing was a little stodgy.

Headlining were Tender Trap who were as lovely as usual. It looks like Elizabeth from Allo Darlin' has been replaced from Emily from Betty and the Werewolves, but the overall sound is the same, twee harmonies, corny jokes, jangle.

So here's the podcast thing I've put together of the gig, I'm not sure about the sound levels, they looked a bit weird on Audacity, let me know what you think.

Have a listen. Feel free to download it, stick it on your iPod so it comes up on random from time to time.

There's a chance that the bands themselves or the promoters or whoever might object to me recording their show and putting it out there like this, in which case I'll take it down, or edit out the bands in question. Also there's a chance that the bands and promoters would want a copy of the whole set that I recorded, not just the bits I edited together, in which case, if they got in touch I would send them everything I've got.

Thick Creamy Podcast 18-03-2012

Last weekend, I thought I'd stretch my legs and wander down to The Lexington to catch some bands at The Hangover Lounge. It was a welcome reward after a hard Saturday night's TV watching.


Sadly, it was a bit of a trek and I arrived almost at the end of the first band's set. I think I've seen Owl and Mouse a couple of times before, somehow I follow them on twitter. They were pretty quiet but nice too, relaxing.

After a short break the second act commenced. It was chap called Andy Strickland, of Creation Records legends The Loft, and also The Caretaker Race. I think I might be too young to remember him from the first time round. It had been twenty one years since he played at The Lexington.

The final act were Amor De Dias, that's Alisdair from The Clientele and Lupe from The Pipas. They were really really quiet, so quiet that my digital recorder was picking up a chap scratching his arm on the other side of the room as louder than the guitars. I don't think his arm was even that itchy.

So here's the podcast thing  I've put together of the gig, I only caught a portion of Owl and Mouse, but you get the feel of it.


Have a listen. Feel free to download it, stick it on your iPod so it comes up on random from time to time.

There's a chance that the bands themselves or the promoters or whoever might object to me recording their show and putting it out there like this, in which case I'll take it down, or edit out the bands in question. Also there's a chance that the bands and promoters would want a copy of the whole set that I recorded, not just the bits I edited together, in which case, if they got in touch I would send them everything I've got.

Phone Box Library #67 Little Bentley, Essex

Via a lovely thread on the BookCrossing website forums, I find on Flickr Trevor Powell's photos of what could be the UK's 67th phone box book swap thing in the sleepy Essex village of Little Bentley.

It was converted into a book swap by Mike Taylor and John Leggett and started operation in August 2011.

Its a traditional four shelf unit, jam-packed with around a hundred books, and also a lively parish noticeboard advertising quiz nights at the nearby Bricklayer's Arms. No sign of any of Dan Brown's works, but The Time Traveller's Wife is represented and also reassuringly General Sir John Hackett's The Third World War.

It looks like the nearest public library is in Greenstead, about 7.2 miles away toward Colchester and there is a mobile library service which serves the village every fortnight.

Thick Creamy Podcast 16-03-2012

So, last night I went along to my second gig of the year, at the Wilmington Arms, Oddbox was hosting a night called Which Way Is Up! featuring three acts:- Benjamin Shaw, Flights of Helios and Post War Glamour Girls.

It was a thoroughly pleasent night. Ben Shaw was a bittersweet miserablist playing guitar from a stool, I joked wthat he sounds like MJ Hibbett from the mirror universe, and later found out that Ben's next gig is with Hibbett. He seemed super excited when I bought his CD.

Flights of Helios were a shoegazery mob with two keyboards, guitars, Father Dougal on bass and so on. I was trying to place who they sounded like, Mercury Rev I thought, just before they announced they were playing a Mercury Rev cover.

The Headline act were Post War Glamour Girls from Leeds, kind of edgy rock four-piece with sounds about service stations.

Now, a thing that I've been thinking about for ages is that empty feeling you get after Popfests or gigs, where before you were so excited, you've downloaded the compilated CD, and put together playlists on your iPod of the bands who are playing and at the show you're exhilarated, but then afterwards and for the rest of your life, that show is over, in the past. All that's left is maybe a few photos, String Bean Jen's videos on YouTube, and maybe a CD or two that you bought, what's missing is something unique to take home out from the show, a "was there then" sort of thing.

So I got myself a Zoom H2n digital recorder, downloaded Audacity 2, and I've put together a podcast of the gig.


Have a listen. Feel free to download it, stick it on your iPod so it comes up on random from time to time.

There's a chance that the bands themselves or the promoters or whoever might object to me recording their show and putting it out there like this, in which case I'll take it down, or edit out the bands in question. Also there's a chance that the bands and promoters would want a copy of the whole set that I recorded, not just the bits I edited together, in which case, if they got in touch I'd send them everything I've got.